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Month: August 2014

FILM REVIEW: 13 ASSASSINS (2010, JAPAN)

  • by Chris Owen
    FilmDoo
  • Posted on August 12, 2014March 21, 2016
  • ASIA
13 Assassins

Dir: Takashi Miike By Chris Owen In a divergence from director Takashi Miike’s usual subject matter and style, 13 Assassins represents Miike’s connection to a more conventional approach to filmmaking and a more traditionally Japanese […]

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FILM REVIEW: LILTING (2014, UK)

  • by Charlie Roberson
    FilmDoo
  • Posted on August 11, 2014March 21, 2016
  • BRITISH
lilting

Our review of Lilting, the charming feature-length debut from Hong Khaou.

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HOT PICKS: TOP 10 BEST FEMALE INTERNATIONAL FILM DIRECTORS

  • by Sarah Jilani
    FilmDoo
  • Posted on August 8, 2014February 23, 2016
  • Features
Gleaners and I

By Sarah Jilani FilmDoo assembles a list of best international female filmmakers to prove a woman can make a successful director in the world – no matter the odds. Check out the profiles of these […]

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FILM REVIEW: LAST DAYS IN JERUSALEM (2011, ISRAEL/GERMANY/PALESTINE/FRANCE)

  • by Luke Ilott
    FilmDoo
  • Posted on August 8, 2014March 21, 2016
  • CENTRAL/ SLAVIC EUROPE
Last Days in Jerusalem

By Luke Ilott Dir: Tawfik Abu Wael Original title: “Tanathur” Last Days in Jerusalem paints a convincing and stimulating picture of normal human beings and their less-than-normal circumstances, albeit one framed in a humble style. […]

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FILM REVIEW: UPSTREAM COLOUR (2013, US)

  • by eleonoraleo
    FilmDoo
  • Posted on August 7, 2014March 21, 2016
  • Reviews
Upstream Color

By Eleonora Mignoli Directed by Shane Carruth For all science fiction movies have managed to become in the last decades – bigger, broader, better – there’s an adjective that’s too often missing from the descriptions […]

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INTERVIEW: BRITISH DOCUMENTARY MAKER KIM LONGINOTTO

  • by Daria Landal
    FilmDoo
  • Posted on August 6, 2014October 12, 2015
  • Features
Kim Loginotto

For some, filmmaking is the best, if not the only, way to keep on the right track in life. It definitely worked out for Kim Longinotto, who is now considered one of Britain’s pre-eminent documentary […]

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